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An interview with Director Gregor Jordan

Australian audiences are very familiar with the work of Gregor Jordan. The director's short film "Swinger" won the respected Tropicana Short Film Festival in Sydney before going on to take the Jury Prize at Cannes in 1995. Jordan's first feature "Two Hands", starring Heath Ledger, debuted at number one at the Australian box office in 1999 and went on to win Australian Film Institute awards for Best Film, Best Director and Best Original Screenplay.

Jordan reunited with Ledger for "Ned Kelly", and immediately wanted the young actor for the title role after reading the script.

"I was given the script by executive producer Tim White and I was interested in it as a concept," he says. "But I said to Tim, the only way to make this movie is with Heath. To me he was the only person who could play the role. So I rang Heath and told him about it, he read the script and said 'Okay, let's do it'. And so it was only really when Heath said yes that I said yes."

While Ledger and many of the other actors in the film are Australian, Jordan did not restrict his talent search to his home country. Because the Kelly family and many of the other characters were immigrants or first generation Australians of Irish decent, most of the accents in the film would be Irish.

"There really was no such thing as an Australian accent at that time, or if there was it was in its infancy," Jordan explains. "And really the story has a lot to do with Irishness, the story of the Irish versus the English. I just want actually the best actors for the roles. Some of them ended up being Australian and some of them ended up being Irish."

While "Ned Kelly" is based on Robert Drewe's fictionalised account of Kelly's life "Our Sunshine", many of the elements of the story are factual.

"There are certain elements that we have taken a bit of artistic license with, but not in an extravagant way," says Gregor. "When you're trying to condense a story that lasted for 10 years down into two hours, you have to take a certain license here and there. But it was interesting because while developing the script, we found a lot of the time that, when we were in doubt, we would just go back to what was true and a lot of the time that was the most interesting stuff."

For Jordan, the most memorable moment on set came while shooting the film's climax - the siege at Glenrowan. "The moment where they walk out onto the veranda at the Glenrowan Inn, in their full armour - these four crazy bastards made themselves suits of armour and walked out in front of 160 police armed with rifles. It's so iconic in Australia that you kind of take it for granted, but when you actually think about actually standing in a suit of armour in front of 160 policemen with rifles, it's insane. When we shot it, it turned out great and it looked amazing. But it made you think, my God, these guys are crazy."

Do you have a question for Gregor? Then visit the Ask The Director section.
 
Did You Know?
. Heath Ledger brought in Gerry Grennell, whom he previously worked with, as dialect coach to help with the Irish, Welsh, Scottish and English accents .
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Click here to download a video interview with Gregor Jordan (Windows Media Player)
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Director Gregor Jordan with Ned's guns
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Heath Ledger on set with director Gregor Jordan
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Orlando Bloom on set with director Gregor Jordan
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